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Example essay 3 · E. Writing your own essay

Science and religion in Dracula

Essay question

“We gain many fascinating insights from Stoker’s exploration of the relationship between science and religion in his novel, Dracula.” Discuss this statement, developing your response with reference to Stoker’s novel, Dracula.

Example 3 of nine · Science, faith and knowledge. This is an Estate preparation essay, not an official model answer or a marked examination script.

Use preparation flexibly. Examiners warn against forcing prepared material onto a different question. Select and reshape evidence for the exact task you are given. See Chapter C.

Board: State Examinations Commission (Ireland) · Exam: Leaving Certificate English, Higher Level, Paper 2, Section I (The Single Text) · Year: June 2026 · Question: Dracula (ii)
The 2026 question wording is supplied to the Estate and has not yet been independently matched to the original SEC paper. Treat this as preparation around that supplied task, and check Chapter C’s Leaving Certificate guide for the official archive and verification notes.

Building the argument

The five stages below lead to the finished essay. After planning, use steps 6 and 7 of the writing guide to draft and revise your own response.

Each stage ends by explaining what it contributes to the next. The evidence points are labelled by the job they do in the argument.

Each bullet states a paragraph’s main point and explains how it contributes to the essay’s overall argument.

1 – Understand the question

  • Key terms. Science in Dracula means medicine (transfusion, surgery, the asylum), the new psychology (hypnotism), and the classifying sciences of the 1890s. Religion means Christian belief and its objects (the crucifix, the Host), and also prayer, sin and grace. Relationship is the key word. The question asks how the two bear on each other, not about each one separately. Insights are things the novel lets us see that we might not otherwise see, and fascinating asks you to say which ones matter and why.
  • Assumption to test. The phrase “science and religion” assumes two camps, the familiar Victorian story of reason against faith. The question invites you to test that assumption, not repeat it.
  • What it shows (the debate it opens). Does Dracula show one side winning (faith over science, or modern knowledge over superstition)? Or does it show each needing the other? And are all the insights welcome ones?
  • What the task asks. “Discuss” invites a sustained response to the statement, including where you partly agree. The 2026 wording and marking scheme still require checking against the original SEC documents; this preparation does not claim an official grade.

Because the question is about a relationship, Step 2 must collect scenes where science and religion meet, not separate lists of scientific and religious moments.

2 – Lay out the evidence

  1. “crucifix … garlic blossoms … this revolver and this knife; and for aid in all, these so small electric lamps … and above all at the last, this, which we must not desecrate needless” (the Sacred Wafer) – Chapter 19, Van Helsing (in Harker’s journal).

    Supports the “partnership” reading. One kit holds church, folklore, weapons and electricity, ranked but not opposed.

  2. “A brave man’s blood is the best thing on this earth when a woman is in trouble” – Chapter 12, Van Helsing, during Lucy’s transfusions.

    Lucy’s transfusions (Chapters 10–12): they temporarily restore her strength without preventing further attacks. This establishes a limit on treatment for repeated blood loss, rather than proving that scientific method itself is ineffective.

  3. “it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain” and “you are too prejudiced” – Chapter 14, Van Helsing to Seward.

    States the insight. Science’s weakness is its confidence, which works like a prejudice.

  4. “My thesis is this: I want you to believe”; faith redefined as “an open mind” – Chapter 14, Van Helsing.

    Supports. A scientist’s word (thesis) is put to work for belief; faith becomes a method.

  5. “The Host. I brought it from Amsterdam. I have an Indulgence.” – Chapter 16, Van Helsing, sealing Lucy’s tomb (in Seward’s diary).

    Supports, strikingly. A sacred object is used like a laboratory material and tested by its result.

  6. “Unclean! Unclean! Even the Almighty shuns my polluted flesh!” – Chapter 22, Mina (in Harker’s journal). “The curse has passed away!” – Chapter 27, Quincey, dying.

    Religious interpretation of Mina’s scar (Chapters 22 and 27): Mina and Quincey describe contamination and release in religious language. These are the characters’ interpretations of events, not a separately narrated divine verdict.

  7. “He is experimenting, and doing it well” – Chapter 23, Van Helsing on the Count, who attended the Scholomance, where “there was no branch of knowledge of his time that he did not essay”.

    The Count’s learning (Chapters 23–24): Van Helsing describes his experiments and knowledge. Learning and adaptability do not by themselves establish benevolent intentions; compare what the Count and the hunters use their knowledge to achieve.

Considered and set aside

  • Harker’s “the old centuries had, and have, powers of their own which mere ‘modernity’ cannot kill” (Chapter 3). Tempting as a statement of the theme. Set aside because it sets the past against the present, not science against religion, and it is one frightened man’s mood in the castle. The question’s relationship is between two kinds of knowledge that are both present in modern London.
  • Van Helsing’s quip that faith is “that faculty which enables us to believe things which we know to be untrue” (Chapter 14), read as Stoker’s own view. Set aside as Stoker’s view because it is a character’s borrowed joke, and he at once redefines it as keeping “an open mind”. Used in the essay only as evidence of his method.
  • Mrs Westenra removing the garlic (Chapter 11). Tempting as faith against science. Set aside because garlic is folklore, not religion, and the scene turns on Van Helsing’s secrecy, not on a clash of beliefs.

Next: use context and criticism to test what the mixed methods mean. Give an alternative reading a fair hearing where the evidence supports it; do not select or simplify a critic merely to manufacture opposition.

3 – Context and other interpretations

  • Context: the shifting frontier of late-Victorian science. In Chapter 14, Seward accepts hypnotism because “Charcot has proved that pretty well”. Transfusion was a dangerous new treatment; blood groups were not identified until 1901. What it does: Van Helsing’s argument is that yesterday’s impossibility is today’s science, so believing in the unexplained can itself be the scientific attitude. This strengthens the partnership reading.
  • Context: Protestant unease about Catholic ritual. Harker hesitates “as an English Churchman” over the crucifix (Chapter 1). Van Helsing’s Host and Indulgence “appalled the most sceptical of us” (Chapter 16). What it does: the novel’s faith is sacramental, working through objects, and that is why it can be tested like a substance. It explains the experimental treatment of religion.
  • Critical reading: George P. Landow’s discussion of Christopher Herbert stresses the novel’s religious saturation and Van Helsing’s priest-like authority, while also relating the book to religious fanaticism. Use that complex account to test the place of religion; do not reduce Herbert to a simple claim that religion wins.
  • Critic 2: the first reviewers. The Spectator (31 July 1897) thought “the phonograph diaries, typewriters and so on” fitted awkwardly with the “mediaeval methods” that defeat the Count. Terry Scarborough (on the Victorian Web) builds a modern reading from that complaint. What it does: it shows a first reader seeing the relationship as a clash. Our essay turns the complaint round: the collision is the subject.
  • From Bram’s world. The Estate’s family page records that Bram’s eldest brother, Thornley, was a leading Dublin surgeon and President of the Royal College of Surgeons in Ireland (1894–96). It says that his medical knowledge “offers a context for Renfield’s surgery and Lucy Westenra’s blood transfusions”, while warning that this “does not establish that Van Helsing was a portrait of Thornley”. The Estate’s page on what inspired Dracula reproduces a sketch in Bram’s working notes of a depressed skull fracture, labelled for Renfield, and says the research material includes medical observations associated with Thornley. What it does: in Chapter 21, Renfield’s injury is “a depressed fracture of the skull”, and the surgeons decide to “trephine at once”. So the novel’s medicine was researched, not decorative. The science in the science–religion relationship is meant seriously. That matters to the claim that science fails despite being good science.
  • Assessment context. Use historical knowledge only where it improves the reading of a particular passage. Consult the official SEC marking scheme through Chapter C; the 2026 task-specific criteria have not yet been verified for this guide.

But Herbert’s reading and the novel’s ending both point towards religion having the last word. Therefore Step 4 must weigh whether the partnership is real or only a stage on the way to faith’s victory.

4 – Weigh and conclude

  • Case for religious authority: the Host and crucifix have demonstrable protective effects within the fictional world, and the hunters interpret the struggle through salvation and duty.
  • Case for combined methods: transfusion sustains Lucy without stopping the attacks; records and transport coordinate the hunt; protective rites disable refuges; knives finally destroy the Count. These methods perform different jobs.
  • Counterevidence to handle accurately: Lucy’s crucifix is placed over her mouth after death (Chapter 13). It cannot be evidence that a crucifix failed to save her life. Removed protection is not proof of an ineffective method; garlic is folklore rather than a Christian sacrament.
  • Deciding consideration: the hunters need both practical coordination and willingness to investigate what established knowledge cannot yet explain. The novel does not demonstrate that every scientific or religious action can succeed only when joined to the other.
  • Provisional judgement: Stoker stages cooperation and tension among medicine, investigation, folklore and religious belief. The final note leaves the survivors’ conviction distinct from publicly persuasive proof.

Build the plan around what each method achieves and where its limits appear. Do not make the argument depend on a treatment that was never attempted.

5 – Structure and select

  • Structure: a cumulative case, moving from the different functions of medicine and protection to their coordination and the limits of proof.
  • Opening: Van Helsing’s equipment at Carfax combines practical weapons and protective objects (Chapter 19). State the question as a relationship among methods, not a contest with a predetermined winner.
  • Medicine: Lucy’s transfusions and Renfield’s surgery (Chapters 10–12 and 21). Medicine has real effects, but cannot by itself prevent repeated attacks. Surgery enables Renfield’s testimony even though it cannot save him.
  • Belief and testing: Van Helsing challenges Seward’s limits (Chapter 14), investigates Lucy’s tomb (Chapters 15–16) and applies the Host. Observation and inherited belief interact.
  • Alternative reading: religious language and rites may seem dominant. Use the Herbert discussion accurately, then test the interpretation against records, transport, the final knives and the language of release.
  • Ethical qualification: the Count learns too, while the hunters’ classifications can reduce people to types. Knowledge does not automatically make its user benevolent.
  • Ending: private conviction survives, but the final note declines to demand an outsider’s belief. It limits the public authority of the dossier.

Example essay

“We gain many fascinating insights from Stoker’s exploration of the relationship between science and religion in his novel, Dracula.” Discuss this statement, developing your response with reference to Stoker’s novel, Dracula.

Before the hunters enter Carfax, Van Helsing equips them with protective objects and practical weapons (Chapter 19). The combination supplies a useful opening to the relationship between science and religion: neither an account of technical progress nor a simple return to ancient belief explains the campaign. Stoker gives medicine, observation, recording and religious ritual different functions, then makes the hunters learn how to coordinate them. The most revealing insights concern the limits of expertise, the testing of inherited knowledge and the moral purposes to which knowledge is put. Even victory cannot turn their experience into proof that they can require everyone else to accept.

Medicine is effective without being sufficient for every problem the novel creates. Lucy’s transfusions repeatedly restore her for a time, but they cannot prevent the Count returning. The distinction matters: a treatment for blood loss cannot itself remove the cause of continuing attacks. Nor does Renfield’s death simply show that surgery is useless. Trephining enables him to explain what happened and to warn the men about Mina (Chapter 21), although it cannot save him. His testimony and the medical intervention belong to the same sequence. Stoker dramatises the limits of the doctors’ knowledge and access to information, rather than offering a controlled demonstration that scientific method has failed.

Van Helsing’s response combines inherited belief with investigation. His challenge to Seward in Chapter 14 is that the inability to explain something does not prove that it cannot exist. The visits to Lucy’s tomb then test an extraordinary explanation against observations: an empty coffin, a returning figure and the transformed body the men confront. The Host has a practical effect in this fictional world, as well as a religious meaning. Harker’s earlier hesitation over the crucifix as an “English Churchman” (Chapter 1) also shows a religious division within Christianity, not a simple opposition between belief and unbelief. Garlic belongs to a different history of folklore. Keeping those distinctions clear makes the relationship more interesting than a list of modern and ancient objects.

A religious reading nevertheless has considerable force. The hunters understand their task through duty, salvation and release, and Mina’s scar disappears at the Count’s destruction. George P. Landow’s discussion of Christopher Herbert stresses religious saturation and the priest-like authority of Van Helsing, while also exploring a more troubling relation to fanaticism. That account should not be flattened into a claim that religion wins. The ending itself keeps several kinds of action together. Jonathan and Quincey use knives, while Mina describes the Count’s disintegration as “like a miracle” (Chapter 27). Practical violence and religious interpretation coincide. Their conjunction supports a reading of cooperation, without proving that every act of either kind would be powerless alone.

The cooperation also has an ethical limit. Knowledge can serve different ends. Van Helsing describes the Count’s learning and adaptability, while Mina invokes Nordau and Lombroso to classify him as a criminal type (Chapter 25). Such classification belongs to the period’s assumptions, not to a neutral medical truth readers must accept. Religious language, too, can wound a victim: Mina understands her imposed contamination through the cry “Unclean, unclean!” (Chapter 21). Her later pity for the Count resists reducing the struggle to the possession of superior expertise. The novel asks what knowledge enables people to do, and how they judge the lives on which they act.

The final note makes the relationship between conviction and proof a problem of form. The assembled records have helped the hunters act together, yet Jonathan finds “hardly one authentic document” among the typescripts. Van Helsing answers, “We want no proofs; we ask none to believe us.” This declines to demand public belief; it does not ask readers to exchange evidence for faith without explanation. The survivors have a certainty grounded in shared experience, while the dossier’s ability to persuade an outsider remains doubtful. Stoker’s exploration therefore reveals a powerful combination of methods and a continuing limit on what their success can prove.

End of the example essay

The essay ends here. For board-published candidate responses, assessment commentary and points to test, open the separate teaching notes.

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Prepared by the Bram Stoker Estate. Page last updated 8 November 2026. Report a correction here.