Official EstateResources
News, reviews and features about Bram Stoker, Dracula and their worldwide legacy. Search by name, subject, publication or date.
210 articles
17 October 2026
Brummell
Coverage of Montblanc’s 2026 tribute to Bram, translating references to his life and Dracula into a collection of writing instruments. Explore the Estate’s account of the collaboration .
14 October 2026
WBUR
Sinclair praises Paul Melendy’s flamboyant Count and the ensemble in Actors’ Shakespeare Project’s Watertown production of Dracula: A Comedy of Terrors. The review highlights Christopher V. Edwards’ direction, physical comedy and striking costumes, finding that the performers make even the cornier jokes entertaining. This is an independent review of the Mosesian Center staging.
12 October 2026
Streaming Better
John Finn reports on the streaming debut of Besson’s adaptation, following its French cinema release in 2025 and North American release in 2026. Streaming availability varies by territory.
1 October 2026
BroadwayWorld
A report on the new full-cast audio adaptation. Listen on Audible (availability varies by territory).
1 October 2026
Audible
The English-language cast includes Jonathan Bailey, Ella Purnell and Maggie Gyllenhaal. Robyn Ahern’s adaptation, directed by Mary Lambert, launched alongside French, Italian and two Spanish versions, with further languages announced for 2027.
15 September 2026
Lampoon
An interview about the production’s development, international casts and sound design, following its presentation in Venice.
2 June 2026
PHOENIX magazine
Moorhead enjoys Arizona Theatre Company’s fast-moving production, especially its five performers’ quick changes, physical precision and inventive staging. He acknowledges the broad, sometimes deliberately crude humour, while finding moments of humanity beneath the burlesque. The review concerns the Tempe Center for the Arts run directed by Gordon Greenberg.
26 May 2026
Screen Daily
Hammer’s 1958 film, starring Christopher Lee and Peter Cushing, has been restored by Hammer Films and Silver Salt Restoration in partnership with Warner Bros. The report describes the reinstatement of footage previously seen only in the original Japanese release. See Hammer’s collector’s edition details for the current release information.
8 May 2026
Profit.ro
Bran Castle is operated by Bran Domain Management Company (Compania de Administrare a Domeniului Bran, CADB). In May 2026, Joel Weinshanker’s Ad Populum group was reported to have acquired an 80% controlling stake in that operating company through VT Bran. Weinshanker is also involved in managing Elvis Presley’s Graceland. The report concerns the operating company. Further reporting from Radio România Brașov .
18 February 2026
WhatsOnStage
Cynthia Erivo and director Kip Williams discuss bringing Dracula to the West End in this opening-night video feature. Their conversation explores the demands of combining live performance with filmed images in the solo adaptation.
14 January 2026
V Magazine
The Book Covers collection brought Dracula’s yellow-and-red cover into Jonathan Anderson’s Dior accessories. The report dates the collection’s boutique arrival to 2 January. See the Dior project and photographs .
23 June 2025
RTÉ
The first preview of Anderson’s Dior direction included a Book Tote drawing on the original Dracula cover, taking Bram’s novel into a new fashion audience.
22 May 2025
Universal Orlando Resort
Universal’s opening announcement introduces Epic Universe’s five themed worlds, including Dark Universe. Its account describes Dracula among the creatures in Monsters Unchained and the vampire-inspired Das Stakehaus restaurant. This official release records a new theme-park setting for Universal’s screen monsters; it is the operator’s announcement, rather than an independent review.
16 April 2025
The Guardian
A newly reported letter offers evidence of Stoker’s response soon after Dracula appeared.
18 March 2025
Time Out London
Lukowski finds the Menier Chocolate Factory’s Dracula parody too tame and old-fashioned, despite James Daly’s charismatic Count and the energetic cast. His critical review questions whether the changes to Stoker’s plot produce a worthwhile new interpretation, contrasting the show’s mild provocations with Rocky Horror’s earlier success.
25 December 2024
Focus Features
Eggers’ reimagining stars Bill Skarsgård, Lily-Rose Depp and Nicholas Hoult. It continues the screen tradition begun by the 1922 Nosferatu; the history of that film and Florence Stoker’s response is on Dracula on Stage and Screen .
19 November 2024
The Guardian
A retrospective considers the style and performances of Coppola’s 1992 adaptation.
19 October 2024
National Library of Ireland
The Library announced Brian Cleary’s identification of Bram’s 1890 story in the Dublin Daily Express Christmas supplement. A new edition supported the Charlotte Stoker Fund’s research into newborn hearing loss. Read the discovery story .
19 October 2024
The Guardian
A report on Brian Cleary’s discovery of Gibbet Hill in a Dublin newspaper collection.
7 June 2024
The Guardian
Biographer Paul Murray discusses Deane’s role in establishing Dracula on stage.
13 January 2024
The Guardian
Research into actors’ charitable records adds detail to Stoker’s work beyond his fiction.
19 September 2023
Time Out New York
Raven Snook warmly reviews the New World Stages production, praising its cast’s rapid changes of character and its playful props and costumes. She finds Gordon Greenberg and Steve Rosen’s adaptation an entertaining escape, while acknowledging that its barrage of jokes produces occasional groans. This concerns the 2023 New York staging, not the later London run.
10 August 2023
The Guardian
A critical assessment of the film built around the Demeter episode in the novel.
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Universal Pictures
The feature film took the doomed voyage from Dracula’s seventh chapter as its starting point, showing the continuing possibilities of adapting a single part of the novel.
26 October 2022
RTÉ Culture
Dacre Stoker introduced his archive-based Stoker on Stoker presentation for the anniversary edition of Dublin’s Bram Stoker Festival, exploring the research behind the novel.
9 October 2022
The Guardian
Reporting explores Stoker’s association with Cruden Bay; its interpretive claims should be weighed against the surviving evidence.
5 October 2022
The Guardian
A cinema review revisits Coppola’s interpretation and Gary Oldman’s performance as the Count.
17 June 2022
Reactor, originally Tor.com
Coverage of the newsletter’s breakout year explored how reading dated entries together brought new readers to the novel and prompted shared discussion, art and humour.
26 May 2022
Guinness World Records
English Heritage brought together 1,369 people dressed as vampires at Whitby Abbey to mark the 125th anniversary of Dracula’s publication.
3 February 2021
The Guardian
A feature examines the Spanish-language production filmed alongside Universal’s English-language Dracula in 1931.
3 January 2021
Dracula Daily
Matt Kirkland’s project offered the novel by email in the calendar order of its dated documents. It became a new way for readers to encounter the original text together.
5 October 2020
The Guardian
The report connects a Whitby shipping disaster with the novel’s account of the Demeter.
20 May 2020
Irish Humanities Alliance
Marion McGarry revisits Charlotte Stoker’s recollections of the 1832 Sligo cholera epidemic during the COVID-19 lockdown. Drawing on Charlotte’s later account, she describes fear, isolation and family survival. The piece explores parallels with Dracula; its claims about literary influence are the author’s interpretation, rather than a proven single origin for the novel.
20 December 2019
United Agents
Mark Gatiss and Steven Moffat’s three-part series starred Claes Bang. BBC One began the broadcasts on New Year’s Day, followed by Netflix on 4 January.
December 2019
Dictionary of Irish Biography
Liz Evers examines Florence Stoker’s social and theatrical life, marriage and management of Bram’s literary estate. The biography follows her legal action over Nosferatu and her role in licensing Dracula for stage and screen. It also considers how accounts of her life have been shaped by the famous men around her.
7 March 2019
History Today
Duncan Light examines the relationship between Dracula tourism and Romania’s communist government.
28 October 2018
The Bookseller
Philip Spedding identified 26 books likely to be the copies Bram used in his research. Pencil marks were compared with his surviving notes, bringing fresh evidence to the novel’s sources.
26 October 2018
Central Bank of Ireland
The Central Bank launched a €15 silver proof coin designed by David Rooney, honouring Bram and Dracula. Members of the Stoker family attended the presentation at Glasnevin Cemetery.
2 October 2018
Penguin Random House
Dacre Stoker and J. D. Barker’s supernatural thriller used research into Bram’s life as a starting point for a fictional prequel. It should be read as a novel, rather than as biography.
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DailyMail
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Paste Magazine
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7 September 2017
The Guardian
An announcement of Dacre Stoker and J. D. Barker’s fictional prequel, subsequently published as Dracul.
25 May 2017
Locus Mag
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19 April 2017
The Guardian
A feature considers the differences between the Icelandic reworking and Stoker’s novel.
7 February 2017
Abrams / The Overlook Press
Hans Corneel de Roos’ English translation introduced readers to Valdimar Ásmundsson’s substantially different Icelandic version, with annotations, a foreword by Dacre Stoker and an afterword by John Edgar Browning.
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17 October 2016
Business Insider
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8 February 2016
The Guardian
Dacre Stoker responds to a proposed Devon origin for the Count, illustrating debate about claims of inspiration.
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4 November 2015
Pop Matters
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6 October 2015
Entertainment Weekly
Coppola recalls reading Dracula aloud as a teenager and returning to it for his 1992 adaptation. In this interview he discusses Roman Coppola’s practical camera effects, Eiko Ishioka’s costumes, elaborate studio sets and the challenges faced by his cast, including Keanu Reeves.
29 July 2015
The Guardian
An early report on Robert Eggers’ plans to remake Nosferatu, years before the completed film.
28 July 2015
The Guardian
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22 April 2015
OUPblog
Roger Luckhurst considers why Dracula still speaks to modern readers. He connects the novel’s fears of infection, migration and threatened boundaries with later outbreak narratives, while exploring its mixture of Victorian technology, Gothic conventions and older myths. This is a critical interpretation of the novel’s continuing power.
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Bustle
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Baylor.edu
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23 October 2014
LiveScience
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14 September 2014
The Guardian
A review of Northern Ballet’s stage interpretation of the novel.
21 April 2014
The Guardian
Robert McCrum assesses the novel’s place in English-language literature.
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University of Stirling / British Library exhibition catalogue
Terror and Wonder: The Gothic Imagination placed Dracula alongside Frankenstein, Angela Carter and later horror, examining the Gothic through manuscripts, books, art and film.
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londonremembers.com
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17 October 2013
The Guardian
Judith Mackrell reviews Mark Bruce’s dance adaptation of Dracula.
28 April 2013
DailyMail
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24 April 2013
Houston Chronicle
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6 February 2013
In Custodia Legis / Library of Congress
Margaret Wood investigates the claim that Dracula lacked US copyright registration. Her search in the Copyright Office’s historical card catalogue finds entries under Stoker’s name and a record of deposited copies. The feature offers a useful account of checking the evidence, illustrated with a 1938 Federal Theatre Project Dracula poster.
14 January 2013
Huffington Post
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Dracula Scholar Elizabeth Miller’s Blog
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Vogue (IT)
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2013 · exact date unconfirmed
Progress in Brain Research
Anne Stiles examines Sir William Thornley Stoker’s surgical work, reservations about animal experimentation and connections with Dracula’s medical material. This substantial biographical chapter concerns Bram’s elder brother. The linked record provides an abstract; full text may require institutional or paid access.
16 December 2012
The Guardian
A report on rediscovered early fiction and its relationship to Stoker’s later writing.
8 November 2012
(Various)
· Additional coverage (www.huffingtonpost.com)
8 November 2012
C.S. Monitor
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8 November 2012
C.S. Monitor
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November – December 2012
HUMANITIES / National Endowment for the Humanities
Meredith Hindley traces Stoker’s admiration for Walt Whitman, from his response to hostile criticism of the poet to the unusually frank letter he eventually sent. The feature follows their correspondence and meetings, placing this transatlantic friendship within Stoker’s developing literary and theatrical life.
30 October 2012
Writing.ie – Dacre Stoker
Dacre explained the publication of the notebook edited with Elizabeth Miller, acknowledging Noel Dobbs’ decision to make the family-held material available. Explore the Lost Journal .
29 October 2012
Huffington Post
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25 October 2012
Times Higher Education
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18 October 2012
Birmingham Mail
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12 October 2012
IrishCentral
The inaugural festival celebrated the Dublin author in the year marking a century since his death. Literary events and an exhibition helped establish a continuing public celebration of his legacy.
27 September 2012
Peace Arch News
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12 September 2012
GBH / CAI
This remembrance explores Jerry Nelson’s work as the Count on Sesame Street and his other Muppet characters, alongside his life and love of music on Cape Cod. The accompanying text describes archival interviews and recollections from collaborators. The page lists a 27-minute 52-second radio programme; the summary is based on its published text.
September 2012
The Ring / University of Victoria
A University of Victoria feature traces the Cowichan Lake property later used for field studies back to Richard Nugent Stoker and his wife’s gardens. It explains how the Simpsons continued their planting and how rhododendrons from the property helped form Finnerty Gardens. This is a later account of the family’s Canadian horticultural legacy.
4 May 2012
The Guardian
Christopher Frayling considers Stoker’s biography and the enduring appeal of his vampire.
21 April 2012
The Independent (UK)
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3 April 2012
The Guardian
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10 February 2012
Irish Central
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10 February 2012
The Guardian
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4 January 2012
Hellnotes
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Horror Writer’s Association
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Local Guardian
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Huffington Post
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Irish Times
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Broadway World
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Irish Examiner
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Cision
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BBC
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Daily Mail
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Irish Times
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Irish Times
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Irish Times
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The Independent (UK)
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The Shakespeare Blog
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Independent (IE)
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BBC Radio
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Huffington Post
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Michael Farry
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Irish Times
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Irish Times
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Genealogist
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8 November 2011
Gravedigger’s Local16
Dracula scholar Elizabeth Miller discusses misconceptions about Stoker’s knowledge of Vlad the Impaler, her research and the forthcoming Dublin Notebook. Carlota McNally’s playful interview also asks about vampire characters, Miller’s bat jewellery and the rewards and frustrations of answering readers’ questions.
19 October 2011
RTÉ
News coverage brought the early Dublin journal to a wider audience ahead of its publication. The notebook offered evidence of Bram’s observations and developing ideas long before Dracula.
18 October 2011
The Guardian
Reporting introduces the family-held notebook ahead of its publication as The Lost Journal.
17 April 2011
The Guardian
A review considers the novel’s Victorian context and continuing power.
2011 – exact publication date unconfirmed
Mafuá / Universidade Federal de Santa Catarina
Iliane Tecchio presents a Portuguese translation of Charlotte Stoker’s recollections of the 1832 Sligo cholera epidemic, alongside the English text. The Brazilian literary journal introduces the account’s family and literary context and identifies its printed sources. Published in 2011, this is a modern edition of Charlotte’s later memories, not reporting written during the epidemic.
8 April 2010
The Guardian
A feature uses the fate of a Dublin plaque to consider the city’s commemoration of Stoker.
13 October 2009
Kirkus Reviews
Dacre Stoker and Ian Holt’s sequel revisited the original characters in a new novel. Its publication was a significant moment in the modern literary afterlife of Dracula.
October 2009
Dictionary of Irish Biography / Royal Irish Academy
Carmel Doyle surveys Thornley Stoker’s career in surgery, anatomical teaching and Dublin’s medical institutions, alongside his role as an art collector and society host. The biography also identifies connections with his siblings and brother-in-law William Thomson. It offers a substantial portrait of Bram’s elder brother beyond his association with Dracula.
6 October 2008
The Guardian
An announcement of the authorised sequel project that became Dracula The Un-Dead.
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McFarland
Robert Eighteen-Bisang and Elizabeth Miller reproduced and annotated the surviving notes, making the novel’s research and changing plans accessible to a wider readership.
February 2005
Senses of Cinema
Tony Williams reads Hammer’s 1958 Dracula against Britain’s changing social and sexual conventions. He examines Christopher Lee’s Count, Terence Fisher’s direction and the tension between the film’s disruptive desires and its return to familiar forms of order.
2 December 2004
Terry Eagleton
Terry Eagleton reviews Paul Murray’s biography through the context of Irish Gothic writing.
27 August 2004
Roz Kaveney
Roz Kaveney reviews Murray’s biography.
25 July 2004
The Guardian
A review of Paul Murray’s biography From the Shadow of Dracula.
17 April 2002
RTÉ Archives
RTÉ reported on the Christie’s sale offering the typescript bearing Bram’s handwritten changes and the title The Un-Dead. This is a 2002 news report, preserved on a later archive page.
22 January 2000
The Guardian
A publishing column discusses Stoker’s theatrical writing and career.
29 June 1996
Frank McLynn
Frank McLynn assesses Barbara Belford’s biography and its reading of Dracula. The review’s interpretations are those of its author.
20 June 1996
John Beifuss
John Beifuss reviews Barbara Belford’s biography, examining its portrait of Stoker alongside the enduring fame of Dracula.
1 March 1996
Kirkus Reviews
A pre-publication review of Barbara Belford’s biography. Original review issue: 1 March 1996; posted online in 2010.
13 November 1992
RogerEbert.com
Ebert enjoys the lavish design and operatic excess of Francis Ford Coppola’s adaptation while questioning its narrative coherence. His review weighs the visual spectacle and heightened performances against the difficulty of following, and caring about, the story.
5 October 1979
RogerEbert.com
Ebert approaches Werner Herzog’s film as an experience of atmosphere and imagery rather than conventional horror suspense. He singles out the journey through the mountains and Klaus Kinski’s unsettling performance, urging viewers to surrender expectations of a fast-moving plot.
20 July 1979
RogerEbert.com
Ebert admires Frank Langella’s restrained, aristocratic vampire in John Badham’s adaptation. He finds the film’s atmosphere, design and supporting performances more persuasive than familiar horror tricks, and highlights its treatment of the burden of immortality.
12 January 1979
Die Zeit, preserved by filmportal.de
Blumenberg compares Herzog’s Nosferatu with Murnau’s 1922 film and the legacy of Weimar cinema. He praises Kinski’s melancholy vampire and the plague sequences, while arguing that reverence for the earlier masterpiece sometimes holds Herzog back. This contemporary German review is preserved in full by filmportal.de; the summary here is in English.
21 November 1975
Tribune
A contemporary review of Daniel Farson’s The Man Who Wrote Dracula. The publisher provides an opening extract; the full article requires a subscription.
23 April 1912
The Irish Times
A notice centred on Stoker’s Dublin years and theatre career, preserved through a centenary reprint. Original notice of 23 April 1912; the linked collection includes the 23 April 2012 reprint.
23 April 1912
The New York Times
An obituary listing his novels alongside his career managing Irving.
22 April 1912
The Times
An obituary that remembers the theatre manager and author, giving particular weight to his Irving memoirs.
April 1912 · exact day unconfirmed
Globe
A surviving clipping emphasises Stoker’s association with Henry Irving. The clipping stamp appears to read 22 April, but the exact day remains unconfirmed.
April 1912 · exact day unconfirmed
Westminster Gazette
A surviving clipping recalls Stoker’s theatre management and personal qualities. The clipping stamp appears to read 22 April, but the exact day remains unconfirmed.
1912 · exact publication date unconfirmed
The Literary World / British Books
A notice that identifies Dracula as the work through which Stoker had achieved fame.
24 December 1904
Evening Star
The Evening Star quotes an appreciation of Irving that Stoker contributed to the Manchester Guardian. Stoker sets the actor’s public honours beside the revenue from his British and American performances, drawing on his own experience handling the receipts. The New Zealand column is a reprint source; the original Guardian article’s date still needs tracing.
16 September 1897
Lyttelton Times
A New Zealand theatre column reports Stoker’s evidence to a House of Lords committee on dramatic copyright. He argues that novelists should control stage adaptations and playwrights the conversion of plays into novels, using the Lyceum’s Faust and The Dead Heart as examples of the commercial relationship between theatre and books.
31 July 1897
The Spectator
An original review of Dracula within the magazine’s Recent Novels column. The linked archive includes scans and searchable text.
15 June 1897
Manchester Guardian
An 1897 review, reproduced online by the publisher on 20 April 2012. The archive date here is the original newspaper publication date.
2 October 1883
Otago Daily Times
This New Zealand theatre column reports the farewell to Henry Irving’s company and outlines its forthcoming American tour with Ellen Terry. It describes the planned New York debuts, the advance shipment of scenery and an itinerary through major US cities. The itinerary is a contemporary announcement, rather than proof that every engagement occurred as planned.
12 November 1881
The Spectator
A contemporary review considers Stoker’s children’s stories and their demands on young readers.
December 1863
Journal of the Statistical and Social Inquiry Society of Ireland
Bram’s mother urges public support for deaf children’s education, comparing provision in Ireland with arrangements abroad. Delivered on 13 May 1863 and published that December, the paper reveals her reforming interests. The linked transcription retains the original period language.
For the evidence behind the headlines, explore Discoveries and stories, Dracula on Stage and Screen, Collaborations and Archives. For forthcoming activities, see Events.
